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It is 1883 and Josef Hibes, a social democrat, is organising a strike of textile workers. The main demand is a reduction in working hours...

The story of a poor, disintegrating family of a mother Fišerová and her three children. It is set in the 1890s - a time when the poor working classes did not yet have the right to vote or a permanent eight-hour working day.

This is the story of an ambitious television presenter who became very well known and respected thanks to his regular show. He invites leading personalities, including respected politicians, to his talk show OPRAVDU? (REALLY?). Because he prepares very carefully for these interviews and his questions are almost entirely without taboos, his show has high ratings, and Petr himself has considerable moral credibility (thanks in part to his unblemished past).

The story of František Stára, a recovering alcoholic, concertmaster, and composer. After returning from alcohol rehabilitation, he quickly realizes that his euphoric determination to start over is a tragic illusion. His wife has moved out of their apartment and found another man. A similar fiasco awaits him at his former job and later during his short stint at an elementary art school. At the most difficult moment, when František's private hopes and professional plans are collapsing and he resigns, he is selflessly helped by his former fellow patient from the clinic, Eda Mandík. This man, himself weak, inconsistent, and irresponsible, with unexpected and self-destructive devotion, gives up his own personal happiness and energetically spurs his flagging will to save his only friend. The price Eda pays for this act is not small, but his sacrifice was meaningful.

Teenager Kristina Kleinburger, daughter of the commander of a concentration camp, arrives from bombed-out Berlin to visit her parents, whose life represents a world of harmony and peace for her. Her parents try to reinforce her illusions with ballet lessons, which are to be given by a former Hungarian prima ballerina. In a single day, contrary to the intentions and plans of her father, a typical German officer, Kristina's ideas and illusions about her parents' society and the security of home collapse, and the whole perversity and monstrosity of the German war and totalitarian mechanism emerges before her with tragic inexorability and the echo of the approaching end of the war. The story, setting, and characters of the film are fictional, only the tragedy of their fates is real.